The Expulsion from the Garden of Eden, or simply Expulsion, was painted as a fresco in the Brancacci Chapel by the Italian painter Masaccio during the early 15th century. Masaccio was part of a large group of Italian Renaissance painters, so his artwork was based upon the humanist studies. The fresco was damaged in the 18th century when the chapel was undergoing construction. (Web Gallery of Art) The painting depicts one of the most popular stories from the Bible: the day that Adam and Eve sin after eating from the Tree of Knowledge and are expelled from the Garden of Eden. In the fresco, Adam and Eve are not only obviously in a lot of pain and experiencing remorse but there is also an angel with a sword—making sure Adam and Eve do not return back.
Stylistically, Masaccio uses many different types of art techniques to bring out as much human emotion as possible from Adam and Eve. When Masaccio painted this masterpiece, he focused more on Adam and Eve using their body language and facial expressions to show their anguish as opposed to the obvious punishment they have just received from God ( Encyclopedia Britannica). Masaccio wanted to establish a emotional connection between the viewer and the figures (“Western Painting,” Encyclopedia Britannica). Masaccio allows Adam and Eve to appear more 3D and human-like by using chiaroscuro. He also made it more dramatic by painting with dramatic strokes (“Masaccio,” Encyclopedia Britannica). Masaccio allows Adam to have some dignity through the use of Adam’s body placement. Compared to Eve, Adam is not afraid of what his body looks like and while he does look sad, he does not look as remorseful as Eve. On the other hand, Eve looks like she “bears all of the suffering in the world” (Web Gallery of Art). Her hands cover the most private parts of her body while her face expresses not only in sadness but extreme pain. Masaccio further emphasizes the dark mood of his painting by using few and very plain colors. The use of colors creates a dreary look for the fresco. The towering angel also stands out with the use of red, the only bright color in the painting. Through the use of different facial expressions, body language, and color, Masaccio creates a pitiful image of two people’s tragic fates.
Eve’s emotion in “Expulsion” ties into the theme, “Women in Mourning” because of how she is reacting to her predicament. Not only are her facial features in distress, but her body language also shows that she is in remorse. Masaccio also makes Eve look like the important figure in the picture by having Adam cover his face, the place where viewers can truly tell what a person is feeling. In the painting, Eve is obviously mourning her fate. Eve is considered the true sinner in Christian for convincing Adam to eat the forbidden fruit. As a result, Eve must be faced with the punishment of painful childbirth and becoming the lesser of the two sexes. Adam’s punishment was simply expulsion, so Masaccio painted him as less distressed than Eve. Expulsion sets itself apart from the other paintings of “Women in Mourning” by being the only painting where the artist is not trying to suggest an injustice in society. Instead, the woman is mourning over her own mistakes.
I am a veteran Irish-American painter and have started a 5 canvas series on Genesis. One of the events I will paint is the Expulsion From The Garden.
ReplyDeleteAfter going to the Scriptures to read the account, I realized Masaccio and quite a few Renaissance painters got it wrong.
Whoever covered Adam's genitalia later was closer to the account than Masaccio as it clearly states that " ...the Lord God did make coats of skins and clothed them..." Gen.3:21
Also 4 verses later it plainly says there were more than 1 Angel "...he placed...Cherubims" plural form.
Granted that the average person during the early Renaissance did not have access to the Scriptures, the painters especially in Italy did and compared to the average citizen were well-educated.
So what do you folks think? Regards Thom Joyce